Reduce PDF size without quality loss
Most compressors trade visible quality for size — the result is a file that uploads but looks washed-out, especially on diagrams and screenshots.
Why this works
PDFRun's Lossless mode strips embedded fonts you don't need, deduplicates repeated images, removes unused objects and re-encodes with Flate compression. Pages look pixel-identical to the original, but the file is meaningfully smaller.
Most PDF compression is lossy: images get downsampled, JPEG quality drops, fine detail softens. For documents going to the web or email that\'s usually fine — nobody zooms into an email attachment looking for pixel-perfect fidelity. But there are documents where every pixel matters. Architectural drawings, engineering schematics, design portfolios, scientific papers with detailed figures, anything destined for print or archival storage — these can\'t afford the softening that conventional compression introduces. You need smaller files and identical visual output.
Lossless compression is possible because most PDFs carry significant non-visual overhead that can be safely removed without touching pixel data. Embedded fonts are the largest offender: PDFs commonly embed entire font families when only a fraction of the characters are actually used in the document. A document using just one paragraph in Helvetica might still embed the full Helvetica glyph table — thousands of unused characters. Subsetting strips the unused glyphs, often saving 200 KB to 2 MB per font. Duplicate images: a logo or page-element that recurs across many pages is often re-embedded by the PDF generator each time rather than referenced once. Deduplication consolidates these. Unused objects: form fields that were drafted then deleted, orphan annotations, obsolete optional content groups — all dead weight that survives in the file. Inefficient stream encoding: many PDF generators use suboptimal compression on text and vector streams; re-encoding with Flate often picks up 10–20% additional reduction.
What lossless mode does, in order. Inventory the file: count fonts, images, and objects; identify which are referenced and which are orphaned. Subset fonts: for each embedded font, keep only the glyphs that actually appear in the document. Deduplicate images: hash each embedded image and replace duplicate copies with references to a single instance. Remove unused objects: drop orphan form fields, dead annotations, abandoned optional content groups. Re-encode streams: re-compress text and vector content with optimal Flate settings. Verify visual parity: render every page of the original and the compressed output, compare pixel-by-pixel, and abort the optimisation if any page differs visibly.
Typical savings. Born-digital PDFs from design tools (InDesign, Affinity, Figma exports): 25–40% reduction common, occasionally more if the source embedded duplicate placed graphics. Word and Pages exports: 10–20%, less because these tools already produce reasonably efficient PDFs. PDFs from accounting and ERP software: often 30–50% — these generators tend to over-embed fonts and waste space on logo repetition. Scanned PDFs: 5–15% only — most of the file size is raster image data which lossless can\'t touch. For scans, lossy compression is the right call.
When lossless isn\'t enough. If your file is 50 MB and the receiving system caps at 5 MB, lossless won\'t close that gap — it might trim 15 MB at best, leaving you well over cap. For aggressive size reduction, lossy compression is the right tool. Lossless is for documents that need to stay essentially identical to the original (print-ready, archive-ready, design portfolio) where 25% reduction is welcome but quality loss is unacceptable.
A workflow tip for design portfolios and high-fidelity documents. Always run lossless first on any document you might want both a high-quality version and a smaller version of. Lossless gives you a smaller-but-identical version that\'s often suitable for general use; if you still need a smaller version for email or upload caps, run lossy compression on the lossless output rather than the original. The two-step approach (lossless then lossy) often produces better lossy results than starting from the original, because the lossy pass has cleaner input.
How it works
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1Open the toolClick the orange button above and select the "Lossless" preset. Image quality is preserved exactly; only metadata, fonts, and structure are optimised.
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2Upload your PDFDrop the file in. Works for files up to 25 MB on the free tier, 1 GB on Pro.
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3Run lossless compressionThe tool subsets fonts, deduplicates images, removes unused objects, and re-encodes streams. Image pixel data is untouched.
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4Compare side-by-sideUse the preview to confirm visual parity. Original and compressed should be pixel-identical; if any difference is detected, the optimisation aborts and warns you.
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5Download and useSave the smaller-but-identical PDF. For design portfolios, archives, and print-ready documents this is the only safe compression path.
Real-world uses
Designers
Send portfolio PDFs without dulling colours or softening typography. Lossless reductions of 25–40% are typical on design-tool exports.
Engineers
Share schematics, CAD exports, and technical drawings where every line must stay crisp and every label legible.
Academic authors
Submit papers to journals where figures, equations, and reference detail must remain print-ready at any zoom level.
Archivists
Long-term storage where any future re-use may need full fidelity — lossless compression saves storage cost without committing to quality loss.
Print designers
Reduce file size for client delivery or printer upload without affecting press-ready output.
Patent agents
Patent filings often require figures at high fidelity; lossless cuts file size without risking figure clarity.
Common questions
How much does lossless save?
Typically 10–40%, depending on source. Design-tool exports (InDesign, Affinity) often see 25–40% from font subsetting and image deduplication. Word and Pages exports see 10–20% because these tools already produce efficient PDFs. Scanned PDFs see only 5–15% because most of the size is raster data.
Will fonts still render correctly?
Yes — only unused glyphs are stripped, never glyphs that appear in your document. Every character visible in the source renders identically in the compressed output.
Is lossless always the right choice?
For print, design, and archival work, yes. For email attachments and general web sharing, lossy compression is often a better trade because the additional size reduction matters more than imperceptible quality differences. Pick lossless when fidelity is non-negotiable; lossy when size is the binding constraint.
Can I run lossless on a scanned PDF?
Yes, but reductions will be modest (5–15%) because most of the file size is image data. For meaningful reduction on scans, use lossy compression with the Scanned-document preset.
What if I need both versions — high-quality and smaller?
Run lossless first to get a smaller-but-identical version, then run lossy on the lossless output if you also need a much smaller version for email. The two-step approach often produces better lossy results than running lossy directly on the original.
Does lossless touch images at all?
It deduplicates exact-copy images (replacing duplicate embeddings with references to a single instance) but doesn't modify image pixel data. The visual output is bit-perfect identical.